Diabolic delivers what’s expected of his name. He’s a very aggressive and visceral emcee with a mass amount of shock value in his rhymes. Fighting Words is injected with harsh sarcasm and verbal assaults that add definition to his personality. On the other hand he contrasts with self-revealing subjects and conscious concepts. This duality along with his rhyming skills makes him a well-balanced emcee with an album reflecting that, but not in a way that’s particularly fresh or untreaded before.
The flow used is the primary example. Diabolical is able to put together strings of sick multisyllabic rhyme with just one specific immovable rhyme pattern of “AAAAAAA”. However, this style is delivered in a way that’s reminiscent of the Fighting Words feature artists, RA the Rugged Man; and known to be used by Hopsin. Ironically, he mentions in “Bad Dream” he mentions that a label panel says he reminds them of Eminem who is undeniably a pivotal influence to Hopsin’s music. Fighting Words makes it evident that that Diabolic represents the high shock value section of rap.
What’s entirely unlike the aforementioned two is Diabolic’s heavy and tough bravado. He possesses ruggedness so extreme that when matched up with similar concrete-skinned MCs in “Game Time”, it turns into an extravagant back and forth elbowing for the top spot. “My supporters would slap the shit out Little Wayne fans” It’s like he is the very manifestation of hard itself with the ability to leak that attribute into listeners just by listening. Punch you out your socks like…
At the same time, such a quote represents his oft-used rhetoric of the “real hip-hop heads” who spam “F Lil Wayne” on every underground track posted on YouTube.
Bolic unfortunately seems very comfortable with this clustered and overpopulated identity.
On a lighter note, Diabolic has a very powerful and passionate voice for morality. Throughout the album he mentions how much of a proud father he is and expresses the massive discontent he has with anyone coming in between that. He devotes whole tracks to those who suffer with “Feel Ya Pain” and “Victim’s Story”. In “A.M.E.R.I.C.A. (The Truth Part 3)” he says one of the most profound quotes I’ve ever heard on a track,
This part of Diabolic’s album is like the musical offspring of legends like Immortal Technique and Ice Cube.
Overall, in evaluation of the Fightin’ Words album, one’s favor feels that tug of war. On one side Diabolic is easily defined as a status quo member of that rugged underground shock-value spitter. On the opposing side, here’s a rapper with very expressed passions in his lyrics and a moderately impressive ability to just rhyme.
Pretty cold album here.
Favorites: “Game Time” “Here We Go”
SO ICEY BOY
The “Nike Boy” music video is a conscious shaking bewildering piece that deserves the upmost merit. E.U and Unkle Luc create something that is characterized by E.U’s persona and mimics the aura of the song.
Madagascar coming soon.
I respect and share good music. Here are some songs that glide above the sea of singles being thrown across on the internet through links, that you need to be aware of. These tracks foreshadow a flood of bar-setting music voming in the near future.
OXYxMORON – “You Don’t Know”
Well you should. The past couple of years Oxy has been laying down some truly excellent music. In this recent pocket of history they have been one of the best hip-hop acts out, and this song is no exception. “You Don’t Know” is a triumphant return, that’s just so bright and exciting as a hero’s welcome. The song has the power to turn crowds of listeners into choirs.
Lord Byron – “0 Grams Fat”
Byron switches up the style to create this kingpin-steelo soaked banger. Byron exemplifies the presence of a don by giving game over this anxious, squealing, rock-inspired instrumental. The song carries a sort of edginess and intensity that’s not only different from Byron’s previous work, but from everything else. Short, heavy, and catchy… Let’s see what Byron comes up with next.
Ciscero – “Never Make It”
Ciscero teams up with the rap superhuman, Sir EU, to denounce the evils of “hating on your homies”, and proclaim his impending ascension to success. Subdaio produces something surreal and phasey for them to rap on, with the use of watery synths. The sound results in a dark and reflective imagery. Meanwhile, Ciscero’s verse showcases a climaxing aggression with champion rhythm; EU opens with some heavily rhyme-laden bars and some deep expressionism.
It’s the illmovement! Brand new release from the hypertalented band. The Doots camp is no stranger the social commentary and conscious subject matter, but this specific release is more focused on that. The vocals are accentuated to embolden the meaning and message of the songs. Wealth of mind, wealth of grind.
This here’s a cipher featuring a couple of talented artists that performed at or was at this show at Getaway lounge this past weekend. If you’re in the DMV area come to the next one on May 1st 2290 Old Washington Rd, Waldorf MD 206o2. Anyway, this joint has Tone301, Flite, CJ the Genesis, Shalaam Kenobi, Spanish Harlem, and OWLKINGLORD. If you’ve been above rocks, you should have heard of some of them. Links to articles I have with them in it on their names.
I was curious to see how painters use WordPress.com as an ultimate canvas to compile and display their masterpieces. If you’re a painter looking for ways to build your online portfolio, find inspiration from these artists:
Born in the Philippines and now living in New Mexico, self-taught painter Fatima Ronquillo paints classically inspired portraits. Yet her body of work also evokes magical realism — it’s playful and even eerie. Fatima’s gallery of paintings covers seven years (click on “Works” in the menu to browse back to 2007), so take the time to browse her collection. She uses Portfolio, a premium theme in our Theme Showcase.
Under the “Representation” tab, she’s created pages for…