Analysis | Soule – Dark Memories

“Dark Memories” by Soule is one example of an excellent hip-hop song that embodies a mood, tells a story, has clever and/or deep lines, and flows smoothly with back-to-back transitions. On top of that, it’s produced by the amazing Suede Moccasins who hooks it up once again. It possesses many of the things I love about hip-hop music, and one of the few songs I got excited about last year.

“Pray your clock shows hands in just one direction, cuz it’s hard for you to follow”

This bar directly references back to the hook where the character in the story (addressed in second person) has a lost concept of time, immortally unchanged like a ghost.

What’s also interesting about this bar is that it transitions perfectly into the verse in multiple ways.

It brings to attention the stagnant and lost mindset that the character has, which is the setting for this verse in the song. The actual mind of the character is drawn out like a tangible place. A place that is very rejecting, and deleterious of past memories. A very blank, lonely, and mundane state of mind that prefers being void from human interaction. This is described in the next line (among others):

“That’s what it’s like being a NEET,

then you get all neat”

A NEET(Not in Education, Employment, or Training) being a layabout who stays at home and doesn’t do much of anything, and rhyming with the homophone “neat” showing that they live unfulfilled and must occupy with idle cleaning. This also begins a very aggressive rhyme pattern:

“cleaning the house, the defeat,

makes you plow.

Don’t have the passion right now to”

The contrast of this bar from the non-rhyming of opening bar breaks listeners into the second verse and sets the pace for it. This bar is so aggressive for several reasons. First, that the rhyme scheme and cadence are very intricate, following an AA-BA-B-B pattern where house is used as an internal rhyme that is later pushed out as an end rhyme which sets the simpler pattern for the rest of the verse after a transition using another faster paced rhyme:

“talk with you, walk with you”

That point brings me to this: the sudden aggressiveness is the frustration of the narrator of dealing with this character. The first two lines are a very vague and somewhat glazed-over description that the narrator uses to describe the character’s mindset, but when digging deeper it becomes a source of frustration. Then the simplifying of the cadence/rhyme scheme is the calming down and acceptance of this setting. “Don’t have the passion right now” is a verbal sigh of exasperation and ceasing to struggle to hold onto the relationship. “talk with you, walk with you, do the same things like Geminis, how the stars move” is a very repetitive (yet not redundant) overstatement used as a device to show how close knit this relationship was. They talked together, they walked together, they were like twins. They revolved in the same pattern like the stars seem to do in the night sky.

Cleverly, this ties into an onslaught of astrology themed metaphors and references:

“I was a Leo in the sky, now I’m sagging like a Sag

reminiscing real hard on the year we have shared

that goes out to every astrological being that is there”

Pretty apparent, but this is saying this took a bit out pep out the speaker’s step. The wording, repetition and delivery makes the feeling come out of the words. “Leo in the sky” gives the image of a proud king of the jungle standing high over creation with utmost pride; whereas “sagging like a Sag” defines a lowly, rock-kicking persona (even further defined by the pet name for Sagittarius, which pronounces the ‘g’ differently). And “shared” was also spoken in a lower somber tone. yadayada

“you caught the arrow that cupid was trying to aim at your head

not your heart, that’s why you think too much instead.

‘Stead of staying in touch, you try to grow apart”

Adding to the setting of the character’s mindset, the speaker uses cupid’s aim as a metaphor for their approach to the situation. Their approach is loveless and riddled in overthink, making staying in touch needlessly difficult and frustrating.

“What does that say about us?

For real, you keep that state of mind I can’t trust

instead of making memories, you want memorials

everything I paved, you want to bury those”

That says the character wants nothing to do with this situation. As stated before, this person is “rejecting and deleterious”. The expression is that there is no good to be had from this situation, they are denying any chance of a positive relationship or hindsight. “Memories” could be a good remembrance of the experience, but instead the person desires “memorials”, as in dead. Buried. Everything built in the relationship, buried. This mindset drenched in overthink that destroys any “light” or positivity is like a betrayal to the speaker. Considering that once they were peas-in-the-pod or “like Geminis”, the fact that things are the polar opposite just makes the person impossible to trust (considering the diction “can’t”).

I feel like these lines are the key relation of the song to the title.

Be on the lookout for Soule’s Connection project.

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